Cinema: Journal of Philosophy and the Moving Image - New issue!

Cinema 11 (2019) 

FILM AND ETHICS, edited by Patrícia Castello Branco and Susana Viegas

Abstracts, 1-10

ARTICLES | ARTIGOS

Film Realism and the Possibility of Using Cinematic Characters as Moral Examples, William Pamerleau (University of Pittsburgh at Greensburg), 12-26

Nihilism On The Metaphysical Screen: The Fate of Gilles Deleuze’s Cinematic Ethics, Laurence Kent (King’s College London), 27-41

Staging Disagreement and Its Ethics: A Rancièrian Approach to Lanthimos’ Dogtooth, Seckin Goksoy (University College Dublin) and Tugce Bidav (Maynooth University), 42-60

Law And Image: The Minor Ethics in Krzysztof Kieślowski’s Decalogue One, Aleksi Rennes (University of Turku), 61-78

Phenomenological Imagination, Ethics, and Empathy: The Case of Epilepsy, Isabelle Delmotte (Waikato University), 79-96

Trauma and Rationalization: Ethical Tensions and Confounding Empathies in Oppenheimer’s The Act of Killing, Joseph G. Kickasola (Baylor University), 97-130

A Psychoanalytic Ethics for Screen Aesthetics? The Case of Spring Breakers, Alison Horbury (University of Melbourne), 131-151

“They’re Bad People – They Should Suffer”: Post-British Crime Films and the Ethics of Retributive Violence, Mark Schmitt (TU Dortmund University), 152-168

BOOK REVIEWS | RECENSÕES DE LIVROS

Ethics and Aesthetics in Contemporary African Cinema, William Brown (University of Roehampton, London), 170-174

Pixar with Lacan: The Hysterics Guide to Animation, Anthony J. Ballas (University of Colorado at Denver), 175-179

Non-Cinema: Global Digital Film-Making and the Multitude, Harifa Siregar (Georgia State University), 180-184

Hitchcock’s Moral Gaze, Philipp Teuchmann (FCSH-UNL), 185-190

Sternberg and Dietrich: The Phenomenology of Spectacle, Maria Irene Aparício (FCSH-UNL | Ifilnova), 191-198

The Shape of Spectatorship: Art, Science, and Early Cinema in Germany, Philip Teuchmann (FCSH-UNL), 199-203

CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS

Genologophobia, William Brown (University of Roehampton, London), 205-210

Cinema: Journal of Philosophy and the Moving Image provides immediate open access to its content, please go to Cinema